Mary Anne Wise and Jody Slocum of Cultural Cloth, LLC have been partnering with Oxlajuj B’atz’ for over three years on an initiative to bring the craft of rug hooking
to OB’s groups. This technique, very different from weaving, introduced a new opportunity for income generation and encouraged our artisans to express themselves freely and creatively whilst integrating elements of their Maya culture into the rug designs.
The following is an excerpt from Mary-Ann’s travel journal after her recent trip with Jody to OB in January to teach the first of four Teach the Teacher workshops scheduled for 2012. In these workshops Mary-Ann works with nine of our star rug hooking students teaching them to become design teachers to help the women in their co-operatives learn the craft. This first session included two days of travel to Guatemala City & Antigua to collect information, sketch, take notes, and listen to presentations by experts in textile development & traditional arts at the Museo Ixchel, Guatemala City.
“It’s impossible to describe what a treat it is for these women to be away from their responsibilities at home. For most of them, their day begins at 5:00 a.m. making breakfast, tending animals, and keeping their families on schedule. Around 9 a.m. their ‘work’ begins: textile production, tending crops, gathering wood for cooking fires, preparing more meals. And so on until bedtime at 10 p.m.
This field trip turned out to be a good idea. Who knew that only two of the 9 women had ever been to the City (an experience they don’t remember because they were quite young). The former director of the Museo (Barbara Knoke) welcomed the women and made them feel immediately comfortable – no intimidation at all. She is very good with los indigenous and remembers (unlike me) to pause for her Spanish words to be translated into Quiche. (Three of our students barely speak Spanish).
Jody, BJ & I met Barbara on our very first buying trip for the first trunk show in 2006. She has done amazing work documenting traditional clothing and collecting samples before they disappear forever. She understands the textile traditions here are quite fluid and ever changing. Even though she is now retired, I am delighted she agreed to give our students a
special tour.
The student’s assignment was to sketch ideas for rugs from the older textiles on display at the museum. I was uncertain if they would feel comfortable sketching and so last week, on our final day of class before leaving for our ‘field trip’, we took a practise walk down Santander, the main street in Pana. I wanted them to get comfortable sketching so we stopped at textile vendors here and there, pausing to draw design elements from various textiles.
The minute we entered the Museo today they whipped out their sketchbooks. Two of the women brought their small children on the field trip, too. The reality is they don’t have anyone back in their village to tend these toddlers and the only option is to bring them along.
I was disappointed that Soyla didn’t come on the field trip. Her rug was my favorite in the Anderson Center exhibition and she is one of the most talented in the group. Soyla opted not to come on the trip because she is facing all kinds of pressure, she rec’d Q500 for a rug and was away from home in our class for a couple of days. Back in her small village, gossip swirled all around, neighbors speculated where did the money REALLY come from, and what was she REALLY doing in Pana, and how shameful to leave her children. All of this gets back to her husband in the US and when they speak on the phone, he is unkind. She does not know if she should continue with the class. Which is too bad beause she has so few options to earn money. And: she is so talented.
Lucia, the assistant director at OB assures me: if rug hooking is something Soyla really wants to pursue (and it is) Lucia will find a way to get her the support she needs.
If anyone can help Soyla it’s Lucia!!
On the plus side- in the: Ya Win Some Ya Loose Some category, Sindy came on this field trip. I was told her husband did not give her permission to attend but I’ll be damned if she wasn’t at the bus first thing this a.m. Sindy is hugely talented, too.
It’s been a full day. I know they’ll be up early- I seriously doubt any of them have ever slept in past six a.m.- so we’ll continue our work in la mañana. Before the field trip concludes, they will be given their homework assignment for Monday: arrive at class with 2 designs for new rugs based on a textile you saw at the Museo. You must make multiple templates of the design elements in a variety of scale and I want to see all of the
templates, too.”




Only in Guatemala would I spend six hours on a couch doing absolutely nothing, and not feel like I was missing out on life. Granted, this is not any ordinary couch- it has been deemed by Eddie Branchaud to be the most comfortable couch in the world. I agree, but that’s not why I sat there for so long last Saturday. This couch rests ten feet away from the shore of Lake Atitlan, giving its occupants miles of glassy water, three volcanoes, endless sky and multi-colored clouds to ponder. In the midst of all that is happening down here, all the exciting but exhausting adventures we’re having, the endlessly stimulating but circular conversations about development and microfinance, I desperately needed a day to sort out my thoughts. So I take back the assertion that I was doing absolutely nothing- I really spent six hours attempting the impossible task of making sense of this place.


The Casa Kakchiquel is under construction. The sounds of drills and hammers mix with the roar of tuc-tucs driving by outside, giving one a sense of continuous motion, continuous improvement. Sitting in the shared common room in the middle of the house, where Nikki and I have set up camp, I can see wood planks being put together outside one by one, and I see every OB employee pass by on their way to and from the communities. Sometimes Oxlajuj B’atz seems to embody the space we are located in; the organization is still in the process of constructing itself, continuously moving forward with the implementation of every grass-root project that will hopefully contribute to our overall goals of development. However unlike the Casa Kakchiquel, our construction will not be completed in a couple months, or even a couple of years. Our mission will not be complete until the women’s cooperatives are self-sufficient and the education we are teaching them is self-perpetuating, but even then the women themselves will hopefully continue to evolve. For the past couple weeks I have become familiar with all of the different building blocks that make up Oxlajuj B’atz and looking for ways to continue developing them.





